Two Sentence (Sometimes) Reviews

Cover of We Spread by Iain Reid, cream cover with letters of title branching out like trees or blood vessels.

We Spread by Iain Reid: 3.5. An elderly woman becomes untethered to the world she knows when her partner dies and, she can no longer live on her own; in her new, special, nursing home she becomes the artist she once was, but at some cost she can’t define. It is beautifully written, even if I think there’s something off about the conclusion, and like the previous book, you have to pay attention to every detail.

Cover of Hester by Laurie Lico Albanese. Black cover with pink roses and green leaves.

Hester by Laurie Lico Albanese: 3. This retelling of the Scarlet Letter, but if Hester was a real woman (in this case, a talented seamstress and maybe witch) and Hawthorn was, ultimately, a fuckboy. It didn’t have me hanging on the edge of my seat, and there was a bit of magical negro nonsense, but it was mostly an okay read.

Cover of Wives and Daughters by Elizabeth Gaskell. Oil style paiting of house in countryside.

Wives and Daughters by Elizabeth Gaskell*: 3.5. Molly is a physician’s daughter in ye oldie times, and has to go through the tribulations of her father’s second marriage, her step-sister stealing her love interest, and a rumor mill trying to ruin her reputation by romantically associating her with a creep of a man. It’s what I expected from this type of book, and I actually enjoyed a peek into the non-regency (wrong time) politics and social scene in a project otherwise full of it.

*I’m on a bit of a Jane Austen kick and doing some mapping work on the books, but it also meant I brought in things that were adjacent, like Gaskell’s book and other historical romances. You know the plot: plucky heroine, class politics, and steamy hand brushing. Surprisingly enough, this kind of stuff is useful for writing horror.